Each print is produced in my studio using archival inks and a curated range of fine art papers. I select the paper that best carries the light, texture, and intention of the image. Every piece is printed, handled, and finished individually.

My preference is always matte — it's how I see the work, and it handles most spaces beautifully. But in darker rooms, or with smaller prints, most notably with a darker print selection, matte can lose some of its presence. Those are the instances where I'd recommend luster — its reflective surface picks up where light falls short.

If you're unsure, think about the print size and where it will hang — if the light is good, go matte. Darker corner and/or a smaller piece, luster might serve it better. I'm always happy to help you decide.

Yes. Limited editions matter to me because they preserve the integrity of the work. Each image is offered in an edition of 25 prints per size — made by hand, not mass-produced. Every piece includes a signed certificate of authenticity and is signed and dated on the reverse.

Sizes vary by image and composition. Each listing includes available sizes. Custom sizing may be possible depending on the photograph.

Handle prints by the edges and avoid touching the surface. Until framed, keep the print in its protective sleeve and store it flat or in its tube in a cool, dry place.

Even archival papers and inks hung in direct sunlight can lose some of their brilliance over time. Avoid placing prints where the sun lands directly or use UV-protective plexi or UV-rated glass.